True Believer

 

Well I’ve never been a true believer

And I’ve never trusted one I’ve met

It’s the timbre and shake

Always strikes me as fake

And it makes it so hard for me to buy it

But that hasn’t stopped me from hoping

That it might just find me yet

And the envy I feel

From my head to my heels

Keeps me wheeling around trying to see it

 

You can ask me all your questions

And I’ll do my best to answer them

But you’ll have to ask again in a year or two ten

 

My mother says that we should pray more

But I’ve never managed to work it out

It’s just me on the line

The only voice there is mine

And I find I’ve got nothing to talk about

But a quiet room has always unnerved me

It’s my instinct to fill the air

With a word or a hum

Or a song or a strum

Always something that sounds like a prayer

 

So I’ll keep asking all my questions

And I’ll tune my ears to listen in

But I’ll have to ask again in a year or two or ten

 

Maybe I’ve got it all backwards

Gone again and put the cart before the horse

And belief’s not the end

It’s just a place to begin

And it bends and it breathes

And it blows like the leaves

And the harder I squeeze

The faster it leaves

And the thing that I need

Is to open my hands and receive it

Of course

 

Forgiveness

 

At night I dream of reconciliation

That all will be resolved in the morning light

But I wake up and my jaw is tight

From holding on

To all the times that I’ve been wronged

 

It’s a long road to forgiveness

It’s a long road to forgiveness

 

All this screaming about our damnnation

Of who will get a pass and who will eat fire

When the sun sets I am tired

Of the whole affair

And for too weary to care

 

It’s a long road to forgiveness

It’s a long road to forgiveness

 

My friend the scientist

Says every blooming flower is an apocalypse

It’s just a play on words

A little bit of trivia that he once heard

But I like the line

That at the end of time

There’s nothing to be afraid of

 

If we find ourselves in glorification

Halos on our heads and a song in our hearts

I hope we all sing all the parts

And the smell of spring

Hovers over everything

 

Make

 

You can make up your mind

At least for a time

And if it makes you feel strange

You can make a change

If you make up your bed to lie in

And it don’t feel right

You can get up again

And you can make do

If you have to

You can make do

 

If you make a mess of things

You can make peace if you’re willing

Because making amends

Sure beats making new friends

You can make hay

While the sun shines

And if it rains

You’ll be just fine

You can make do

If you have to

You can make do

 

It seems to me no one really knows why we’re here

And I’ve got more questions than answers year after year

And if it’s the case

That meaning is ours to make

I wanna make it with you

I wanna make it with you

I wanna make it with you

I wanna make it with you

 

We can make believe

That time is not a thief

And if you just make me laugh

We can hold the darkness back

I’ll plant an orchard of lemon trees

And we’ll lemonade

And we’ll make it real sweet

And we can make do

Like we want to

We can make do

 

Coins in the Fountain

 

I don’t know about you

But I’m slowing down these days

I feel my age

I do, I do

I don’t know about you

 

Oh how time flies by

At a pace that seems absurd

The moments blur

Oh my, oh how

The time flies by

 

And I usually spend my time

Like nickels and dime

Pockets of changed

To be stacked and arranged

As if it’s all mine

As if time were a thing to be saved

For better days

When both of us know

That’s simply not so

And time doesn’t work that way

 

I’m happy we’ve had the time that we’ve had

I’m happy we’ve had the time that we’ve had

I’m happy we’ve had the time that we’ve had

(My oh my how time flies by)

I’m happy we’ve had the time that we’ve had

(My oh my how time flies by)

I’m happy we’ve had the time that we’ve had

(My oh my how time flies by)

I’ll be happier still to spend what is left throwing coins in a fountain with you

 

A Small, Good Thing

 

It's a small, good thing to pour the coffee

It’s a small, good thing to share the crust

It’s a small, good thing to sit together

And remember we are dust

 

I didn’t hear you when you called me

And when I did I couldn’t speak

Oh how the anger overwhelmed me

How the shock had left me weak

 

One minute he was with us

The next moment he was gone

There is no break from all this suffering

Our hearts keep beating on

 

It's a small, good thing to pour the coffee

It’s a small, good thing to share the crust

It’s a small, good thing to sit together

And remember we are dust

 

And if our time is just an instant

And what we know is just a speck

I’d like to spend it with the people

Who know the taste of death

 

Because grief doesn’t leave you empty

Oh no if fills you to the brim

The body is a channel

For a pain that never ends

 

It's a small, good thing to pour the coffee

It’s a small, good thing to share the crust

It’s a small, good thing to sit together

And remember we are dust

 

There is a tree outside my window

That burns like fire in the fall

A brilliant blaze to match the sunset

A spark to torch it all 

 

But we are rooted in the soil

We are planted in the dirt

And from the fields our sorrow flowers

And illuminates the earth

 

It's a small, good thing to pour the coffee

It’s a small, good thing to share the crust

It’s a small, good thing to sit together

And remember we are dust

The Secret to Being Light

 

It there anger in your heart?

There is in mine

All the time

All the time

And it’s tearing me apart

From seam to seam

And it makes me mean

It makes me mean

 

Are you weary to the bone

From all your care?

The load you bear

The load you bear

And they say to set it down

But you can’t just yet

No you won’t forget

No you won’t forget

 

Does it hurt to be alive?

Sometimes it does

Just because

Just because

But tangled in that pain

You might be surprised

By the joy you find

By the joy you find

 

I dreamt that we were big black birds

Too heavy to fly

And it didn’t take too much work

To knock us from the sky

And when we crashed

We turned to ash

And the rain swept us away

But when the sun came up

It lifted us high up in the sky

And whispered:

The secret to being light

Is letting go

 

Uncanny Valley

It’s an uncanny valley that we’re forging through

And I don’t know what to do

Nothing looks quite like it seems

Dreams within dreams within dreams

And the question I find myself asking most

Is if there is a ghost

Deep in the mind of the machine

Just what does that say about me

And you

 

Irreducible you

Not the sum of your parts

But an infinitely chambered heart

 

Lately my mind is a briar patch

A thicket catching trash

All day I work to clear the land

And dawn will find me with my rake in hand

And the trouble with change is the pace it comes

Just incremental crumbs

And no one can see the whole view

And just how it’s changing you

And me

 

Irreducible me

Not a map of a mind

Just a simple being in time

 

And the truth is hard to tell

And it’s hard to tell what’s true

But I think it bears repeating

When it comes to me and you

Dear God, it’s complicated

Fortune Cookies

Seems like all the news is bad news lately

All just handbaskets and hell

And how to pull the yoke up?

Who can tell

And the universe expands with every moment, don’t it

At least that’s what I’m told

And so I’m praying

The center just might hold

 

And in the meantime

In all this wild weather

Let’s start with sticking together

It’s the best that we can do

You can hold on to me

And I’ll hold on to you

 

Seems like all my fortune cookies lately

Are just shelling out advice

And if I’m being honest?

It’s kinda nice

Because the last thing that I need is a prediction really

Of what the future just might hold

I’ve got enough worry

My hands are full

 

And in the meantime

In all this wild weather

Let’s start with sticking together

It’s the best that we can do

You can hold on to me

And I’ll hold on to you

 

If the world is always ending

Then I’ll try to start attending

To all the little things

All of my little loves

All of the little that I know of

Anything at all

 

And in the meantime

In all this wild weather

Let’s start with sticking together

It’s the best that we can do

You can hold on to me

And I’ll hold on to you

 

Human Condition

 

I called the doctor and the doctor said

Part of your heart appears to be dead

I can’t say I was too surprised

Felt kinda funny all of my life

I asked him just what do I take

For all of this pain and all of this ache?

And he said, “Son, I’m just a simple physician

There’s nothing to be done about the human condition”

 

Got to feeling desperate so I called a priest

A real Hail Mary, to say the least

He said he wasn’t at all surprised

The specter of death can make a man wise

As for just what he would say

His only advice was to kneel and pray

He said, “Son, it’s a presupposition

There’s nothing to be done about the human condition”

 

We’re barely hanging on down here

All of us anxious and riddled with fear

And it seems to get worse year after year

We’re barely hanging on down here

 

I caught my neighbor out in his yard

Thought I should tell him about life being hard

But the sun was high and the sky was clear

And the weather was warm for that time of year

So we sat together, enjoyed the breeze

Marveling at the brightness of leaves

And his smile served as proper admonition

There’s nothing that beats the human condition

 

Planned Obsolescence

 

There’s nothing that reminds me

Of my planned obsolescence

Like the high beam fluorescence

Of a dental chair

All those chisel and drill bits

Crammed into my mouth

For the teeth that will fall out

From wear and tear

Eventually

Just like you and me

And the rest of us

Ashes to ashes and dust to dust

Ashes to ashes and dust to dust

 

So all mice and men then

Making up their grand plans

Better sure make them deadpan

And hold for laugh

Because any way you wager

The only sure bet is sunset

We’re all bound for death yet

Like the tender grass

Eventually

All of you and all of me

And the rest of us

Ashes to ashes and dust to dust

Ashes to ashes and dust to dust

 

How then should we live

If we’re all bound to sleep tight

In the blackest of midnights

Beneath the ground

We can turn our attention

To the things that we love most

And we can pray that we get ghosts

And stick around

Eventually

One for you and one for me

And the rest of us

Ashes to ashes and dust to dust

Ashes to ashes and dust to dust

 

What Holds Us Together

 

Tendons and sinews

Ligaments and tissue

These are the things that hold us all together

Broke bones and heart break

Furrowed brows and bellyaches

These are the things that threaten to tear us to shreds

And it’s no wonder

Given and over and under

We always come up short

If we’re crumbling to pieces

Who knows what the use is

Of trying to keep it from coming apart

 

For you and for me

It’s a wonder that we see

Anything past the planks in our eyes

And yet we still manage

To dole out our damage

With knives to the back and shivs to the side

And it’s no question

We’ll never learn our lesson

By trading blow for blow

If it’s an eye for an eye

And a tooth for a tooth

Then we’re in for a terrible show

 

And if we’re so fragile

Can we learn how to handle

The power allotted to us?

Can we heal where it hurts

And forgive when it’s worst

And remember that we’re all we’ve got

And remember that we’re all we’ve got

 

 
 
284296809_413042950685508_7859772374561514566_n.jpg

The Ruralists

 

True believers in Dave Kramer's ruralist platform know that art and beauty can be found hidden in the back of any old garage. One late summer evening, they hoisted a broke-spring garage door and gathered together rusted gas tanks and ancient oil pans, barn wood and bailing wire, all the best bits of whatever sound and strain they could uncover or acquire, constructing something stratified and sound, a mellifluous mouthful of sharp and shiny teeth, nuanced and narrative, northwest of nowhere, seeded in the silvery soil of soybeans and cornstalks, flavored by the very salt of the earth.

 

Vocals, Guitar / Luke Hawley

Electric Guitar / Laremy De Vries

Bass / Jake Miller

Drums / Christian Lief

Sax and Keys / Brody Joens

 
“The city, of course, is a thing of the past. There was a time during the middle ages when it was the only source of culture. There was no way of acquiring this thing we call culture except by direct contact, see.

—Frank Lloyd Wright
”
IMG_1048.JPG
“
Guitar driven … an incredibly powerful sound to back up The Ruralists’ poignant and personal lyrics. … wonderfully written songs … a powerful set and performed as a cohesive unit.

– Sioux City Weekender”
“At the center of all this—the swelling noise, the sweaty crowd—is the band’s anchor and heart … songs deeply shaped by a storyteller’s sensibility.

– The Voice”
“Norman Rockwell meets Nirvana.

— Dave Kramer”
“Pulled me out of my funk.

— Andy Roetman”
“A helluva surprise.

— Ron Suir, Anthem”
IMG_6727.jpg
 

booking contact: fullyruralized@gmail.com

 
ruralists-draft-3.jpg

Trying

by The Ruralists

When we first started tracking these songs, I joked about calling the record “Existential Love Songs from Middle Age.” It’s probably still somewhat appropriate—these songs certainly are existential and many of them started as love songs. But as we kept adding tunes (and taking away) and the thing took shape it was obviously about more than just love songs or middle age or even existentialism. When Laremy suggested TRYING as a title, I laughed it off; I’m sure we were in the middle of a long text thread about different possible titles. But I just kept going back to it—and realized that the songs did too. Before We Know starts with a version of the serenity prayer: “I keep trying not care about the things I cannot change.” (dis)appear centers around the idea: “I am trying the best I can/to hold this life both loose and tight”. It’s all over Mother Mary, trying to see the holy in the everday, trying to tell someone just exactly how you love them, trying to understand how we’re made of atoms and yet. In Murmur—the most love-song song on the record—the idea is at the center of the chorus: part of loving a person is to keep telling them how and how much you love them, despite never quite getting it right. And getting it right? What takes more trying than doing the right thing? Right‽

Every time I make a record I think it’s my finest work and I hope that’s always true, but I’m as close to certain as I get on that with this record. But even better than that? We had loads of fun. We did it our way, holed up in Back Back, slowly making progress. We invited friends, like the venerable Reverend Doctor Jeremy Perigo who saxamaophones his way into my very marrow (that one great blue note makes me grin every time). People Are People Too includes some of my favorite musicians—my brother Caleb, old band mates Jacob Champlin and Josh Engen, Christian Lief doing non-drum, super-Christian things. And a master of music history to boot in Joe Mann’s string work.

This is a strange life I’ve found myself in, making my favorite music with my literal neighbors for a specific place and time. And I think it’s that strange specificity is what makes the act of TRYING into the art of TRYING, something the four of us practice to differing degrees of success everyday. We hope you like the record, hope you love it really. We tried our best.

“The only thing worth writing about is the human heart in conflict with itself

—William Faulkner”
The birth of birds cover.JPG

In their debut full-length album, The Birth of Birds, the Ruralists take Luke Hawley’s simple folk shuffles and, using all the instruments in their machine shed, run them against the grain. Howling electric guitars create a lush landscape of sound, sharp strokes over the fundamental and foundational rhythm section. Splashes of color like basement brass, the odd accordion, and a century-old pipe organ brighten the corners. And at the center of this curious carousel, Hawley’s songs of loving, longing, leaving, and coming back again, the fight for fidelity, grabbing and grappling at the impermanent, the interlocular, the veiny and visceral mess of the here and now stacked against the dream and desire of better days ahead. The songs are melodic, even down to the drums, hooks hooked with hooks, like the old barrel-of-monkeys game. They’re narrative both in lyric and music, dynamic and surprising, at times bombastic, at times almost uncomfortably intimate.

Don’t fly over these songs. Invite them to Sunday dinner, push back from the table and listen. You’ll find yourself in it, humming quietly along with the themes and variations on the heart in conflict. And don’t worry about it, the band will do the dishes.

IMG_6641.jpg

We’re excited to announce EP 2! We had four new-ish songs that felt like they needed a home and it seemed like the best way to find that home was to cut them over the course of one afternoon—we wanted the songs to have the same life and breath as they do when we played them in the Back Back (or anywhere else for that matter). So on a beautiful fall day last October, we hauled all our gear over to Luke’s house and set up in his 100 year old barn. We kept the doors open and let the sun in (and with it some of the sounds of outside—children, dogs, the occasional train).

EP2 (or as we refer to it: The Barney P) covers over a decade of Luke’s songwriting run through the Ruralist ringer. “Right‽” has become our 2019 anthem, the closer to nearly all of our sets. “Your Bones Get Old” first appeared on Luke’s The Northwoods Hymnal in 2013 (as did “Favorite Season”), but we gave it a proper barn treatment, complete with Laremy’s faux pedal steel guitar. Favorite Season also got filled out, with beats and riffs and Jake’s ghostly oohs on the singalong outro. And Little Bird got all of it—that riff, both played and sang by Laremy, the frenetic drums of Titus, the octave squeal of Jake’s bass, and all the breath Luke had in his chest. It’s a strange range of songs, a little split in its personality, asking some of the most serious questions in the world and laughing at the lack of answers. It’s complicated. Right‽